Most quilts are prize possessions in families. They are handed down from generation to generation. If you are lucky enough to be the recipient of one of these treasures you know how unique and valuable they are. There are myths that surround this inherently American craft. Quilt museums and historians have done research to discover the truth behind some of the most popular myths.
Quilts are one way to get an intimate glimpse into the country's early years. We have mental pictures of Colonial housewives lovingly sewing bed covers out of old scraps saved from former projects. It confirms our belief that early settlers didn't waste what little they had. There is a widely held belief that quilters helped runaway slaves by encrypting codes into their quilts that gave instructions for getting to the Underground Railroad.
Scrap bags, where housewives keep bits of cloth leftover from sewing projects, may be a modern myth. This fits in with our view of colonists who had to use ingenuity and hard work to create everyday objects. The fact is that most of these early quilts were made from whole cloth. It was not your everyday fabric either. These quilts came from expensive imported fabric instead of scraps. Quilting from scraps didn't come into the picture until after the Industrial Revolution.
It is commonly believed that colonial women made quilts. This fits our picture of Americans with limited resources but plenty of resilience. Historians have found this to be fairly rare. In colonial times, textiles were expensive commodities. It was only after industry technology made mass produced cloth affordable that cutting up material and sewing it back together made economic sense.
Another myth still active today, is that quilting is a skill that only interests women. Even feminists have taken the art of quilting and pointed out the ways in which it demonstrates the ingenuity and practicality of early American women. The fact is that there are a number of extremely talented male quilt designers and professional quilters. They have work hanging in museums just like their female counterparts do.
Many believe quilting is an exclusively American craft. American quilting is distinctive and has characteristics that make it unique. There are designs early American quilters borrowed from England and France though. One of them is the mosaic patchwork pattern many quilters still use today. Mongolia is the site of some of the earliest quilted textiles. They have been traced back to the first century.
One of the most compelling myths regarding American quilts is the part they may have played in the Underground Railroad. Quilters were supposed to have sewn secret code into their projects that only those involved in the Underground Railroad understood. The codes gave instructions to runways heading north. Historians discount the story believing it to be started by an individual family.
Most people love quilts. They are reminders of a time long gone. The stories that have built up around them through the years may or may not be true. Either way people love the idea of the history they represent.
Quilts are one way to get an intimate glimpse into the country's early years. We have mental pictures of Colonial housewives lovingly sewing bed covers out of old scraps saved from former projects. It confirms our belief that early settlers didn't waste what little they had. There is a widely held belief that quilters helped runaway slaves by encrypting codes into their quilts that gave instructions for getting to the Underground Railroad.
Scrap bags, where housewives keep bits of cloth leftover from sewing projects, may be a modern myth. This fits in with our view of colonists who had to use ingenuity and hard work to create everyday objects. The fact is that most of these early quilts were made from whole cloth. It was not your everyday fabric either. These quilts came from expensive imported fabric instead of scraps. Quilting from scraps didn't come into the picture until after the Industrial Revolution.
It is commonly believed that colonial women made quilts. This fits our picture of Americans with limited resources but plenty of resilience. Historians have found this to be fairly rare. In colonial times, textiles were expensive commodities. It was only after industry technology made mass produced cloth affordable that cutting up material and sewing it back together made economic sense.
Another myth still active today, is that quilting is a skill that only interests women. Even feminists have taken the art of quilting and pointed out the ways in which it demonstrates the ingenuity and practicality of early American women. The fact is that there are a number of extremely talented male quilt designers and professional quilters. They have work hanging in museums just like their female counterparts do.
Many believe quilting is an exclusively American craft. American quilting is distinctive and has characteristics that make it unique. There are designs early American quilters borrowed from England and France though. One of them is the mosaic patchwork pattern many quilters still use today. Mongolia is the site of some of the earliest quilted textiles. They have been traced back to the first century.
One of the most compelling myths regarding American quilts is the part they may have played in the Underground Railroad. Quilters were supposed to have sewn secret code into their projects that only those involved in the Underground Railroad understood. The codes gave instructions to runways heading north. Historians discount the story believing it to be started by an individual family.
Most people love quilts. They are reminders of a time long gone. The stories that have built up around them through the years may or may not be true. Either way people love the idea of the history they represent.
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